Thursday, June 25, 2015

Thoughts on Mistress of Honour by Bhaavna Arora

"Mistress of Honour" by Bhaavna Arora is the tale of a patriot's supreme love and sacrifice for the country. Given the distrust and cynicism with which the Indian Armed Forces is viewed by some of the Indian English Writing brigade, this is a welcome positive look at life in the Army (too positive at some places though; as if a fine Army toothcomb had visited this novel and picked out a few uncomfortable thorns).

It is that novel that you wish were better written - the author's inclination to resort to stock resolutions for sticky situations greatly affects the level of writing. There is a lot of promise and intrigue in the story - Pansy's conflict of emotions at being rescued by the very Army that shot dead her parents, Advik's self harm to tide over his parents' bad marriage, etc. However, none of this is fleshed out well - the characters are miraculously redeemed whenever they come in contact with the Army. Maybe that is what a daily reminder of their closeness to death does to people; however, it cannot be used to condone their conversion into one dimensional characters in the book. The epilogue, although inspiring in its intentions, has the feel of a school drama play with the characters proclaiming loudly their love for the country.

Overall, the novel scores with its noble intentions to portray a life in the Army as the most noble calling in one's life. Just wish it read better.

Sunday, September 28, 2014

Thoughts on Bond in Quantum of Solace

James Bond. Played by Daniel Craig. A British spy 'horribly efficient' at being reckless, seemingly deceived by a girl in an earlier instalment (who actually ends up trading her life for his), seeks answers (later revenge) and in the process, uncovers a plot by assorted corporations (under the banner 'Quantum') to seize, endanger and profit from all sorts of natural resources. Like clean water in South American countries, for example.

The second movie in this reboot stalls, wanders headless, before Daniel Craig pulls it together for the reckless tumble downhill billing that these movies usually promise.

And why all this? Why replace the devilish charm and frivolousness of the earlier instalments with something resembling real life? Why substitute the heady sunshine of the prior ones with a morbid pall this time, when such intensity can only count as a negative for someone like Bond?

Like the earlier movies, Bond still survives in the end, still blows up stuff all around the place,still loses one girl and saves the other (he doesn't sleep with one though). Gone though is the need to maintain the thin veneer of charm, the need to keep comforting the audience that this is all a piece of cake, all in a day's work for someone like Bond. We are in the 21st Century and we are seemingly mature enough to appreciate layers in our heroes and superheroes (think Bourne and Batman reboot). Our heroes do get hurt and make mistakes, and take some time in redeeming themselves. And this layering is what the movie almost succeeds in bringing about.

A layer exhibits the complex relationship between M and Bond; another exhibits the need for Governments to humour corporations involved in foul play when it is the latter and not the former who get to control natural resources. One more layer showcases guilt and regret, and for Bond, this movie is almost about Scorcese like redemption as much as these movies are usually about Reid and Taylor suits. He seeks answers to assuage his guilt and anger - he is unable to forget and forgive the woman who betrays him to save his life and he is hell bent on hunting down the person who had set her up for sacrifice.

Amidst all this, we have Mathieu Amalric play 'Dominic Greene', the villain, whose only resemblance to past Bond villains is the gruesome manner of his eventual death. He plays an awkward string puller, a French Godfather, except that his interests are crude Oil, toppling Governments and the like, instead of Olive Oil and Gambling. An intrepid traveller, he takes keen interest in the affairs of South American nations in the morning, over lunch in chartered flights, talks spymasters into sponsoring coups, and finds time before dinner to co-ordinate a call between the various members of his cartel at an Opera house in Austria.

Bringing the two together in Haiti is 'Camille' (Olga Karylenko), the girl who plays with fire and tries to use Greene to reach the object of her hatred, a Major Medrano, an ex Bolivian General that Greene now wants to install as the dictator. Bond follows her and stumbles across Greene, figures out that there is more to him than political horse trading and raising funds for a greener planet.

It takes all of Daniel Craig's acting skills to pull this role off and to convince the audience that an efficient and ruthless Bond is actually better than the chivalrous, charming (occasionally flaky) Bond that his predecessors chose to play. He imbues his role with an intensity never before seen in a Bond. And he convinces the audience in investing a smidgen of sympathy for the first time in a Bond as he gulps drink after drink while trying to wash away regret over his recent past. More Devdas this than the carefree Playboy.

While Pierce Brosnan brought about a touch of class during his incarnation (and subsequently eroded most of it by acting in Die Another Day), Daniel Craig has chosen intensity as the cornerstone of his interpretation of James Bond, as much a reflection of his acting skill as that of the time we live in.‎

Sunday, September 21, 2014

Thoughts on 'God is a Gamer' by Ravi Subramanian

Ravi Subramanian's book 'God is a Gamer' is a cyber crime thriller whose pages flits between the cities of Washington DC, New york, Mumbai at a breakneck pace (with pit stops at Wikipedia to fill the reader with requisite gyaan on Bitcoins and the Dark Web), enough in it to read over a bus journey but unfortunately, less than enough to ponder about later.

It opens with the assassination of a US Senator who was heading a secret committee set up to investigate the workings of alternate currencies, lands at the shores of Mumbai by a financial heist, the rest is mostly spent on proving the link between the assassination, the heist and of course, the virtual game (modelled on Farmville) that is alluded to in the title.

The author's expertise in peeling away layers of the story at breathtaking speed shines through, with each peeled layer revealing the direct and unsavoury links between the primary actors. Be it a bong hitting American teen or the head of the Retail Banking division at an International Bank in India, everyone is somehow related to each other; while the some of the links are quite predictable, the unpredictable ones come across a bit forced or at worst, unnecessary.

The level of detail is quite sparse and taut, everything appearing on the page is either the stepping stone to a reveal or is the reveal itself. There are sleight of hands and smokescreens galore but the author plays them in a deft manner. Characters are coloured a shade too grey - the good are either conveniently bumped off or are revealed to be bad in due course. Some of the cynicism is at Madhur Bhandarkar level but thankfully, the author keeps away from moralising.

There are some cheeky touches about the pressures of a coalition Government, taking orders from a higher command and so forth but Ravi Subramanian keeps humour to the bare minimum, lest it take the focus away from the plot and the narrative.

Overall, the book is a sophisticated and at times, convoluted read on how best to serve a very cold dish, the only caveat being that the dish is liable to be forgotten about as soon as the last page is read.

More details about the book and author below:

About the book:

http://www.authorravis.com/#!GOD-IS-A-GAMER/cvmf

Author's Page: http://www.authorravis.com
FB page: https://facebook.com/Authorravisubramanian
Twitter page: https://twitter.com/subramanianravi

(Disclaimer: reviewed as a part of the Flipkart Book Bloggers Initiative).

Friday, September 12, 2014

Thoughts on Smiley

It is hard not to be swayed a little by the characterisation of George Smiley. Maybe it is how he, almost single handedly, he rebuilds the fallen ramparts of the Circus. His vulnerability too draws one to him. More than that, there is something I still can't lay my finger on : maybe it is because I saw Gary Oldman play him on screen, or something to do with his innate English politeness maybe? I don't know. And the way he figures his way out of a problem, circling around it, almost teasing the solution out of it is a joy to behold.

Maybe it is the way he is portrayed as this guy with almost a monkish devotion to his work that appeals so much to me? And the way it is so easy for a reader to rely on him, reminding one of the time Indian fans use to heave a sigh of relief whenever Dravid used to take to the crease; maybe reassuring is the way I am really looking for. And in a world like Circus where each square foot has to be tread with caution, where even the naively hopeful would have enough cause to become a hard cynic, where the mind's state usually hovers anywhere between paranoia and full blown insanity, only such a reassuring presence could have breathed life back into it.‎

Saturday, April 26, 2014

False Windows

Dormant flames,tinder
woods; ash, unburnt twigs survive.
Soul traces too.

Thursday, November 28, 2013

Perch

Entry for 27th Nov's 3WW

Sparrows, curious
over cluttered urban rests,
inevitably wary.

Saturday, November 16, 2013

Circle

Entry for 17th Nov 3WW Entry

Aggression:
Exhaust words,
heighten distortion,

light limits.

Heighten:
Light up words,
exhaust distortion,
aggression
limited.

Limited:
Lights exhausted,
words distorted,
heightened aggression.

Friday, October 18, 2013

God's Hanger

3WW post for the 16th of October
--- 



Three rings. The sum total of his possessions. Plus a rupee. He has half a mind to bury the rings somewhere before going away. The utter lack of any feeling forbids him from giving them to a fellow being. He wears them instead.
---
Three rings. He pulls away. He waits. He lets the next call trip over to voice mail, letting it take his last rupee down with it. He hears the request to place a message. He clicks.
---

He is not daunted by it anymore.
---
He chances upon an unopened packet of food while scouring the refuse bin. There is my last meal, he says to himself.

He picks it up and moves over to the other side of the road. He lays it open on the footpath. Your food always deserves a clean pair of hands, he remembers. Ever fastidious.

 He walks on to wash his hands at the fount at the far end of the street.
---
He bemoans his misfortune as he stares at the empty packet. He wipes his wet hand over his shirt. He spots a dog skipping across the road with his poisoned meal between its teeth. He is incredulous and stunned to find his death snatched from him in such a manner. His loathing for the fellow being intensifies.
---
In between the two row of fine teeth that this dog has been blessed with, it holds a sumptuous piece of meat, a treat for the lone underfed stray on an empty street. Too hungry to wait, it drops its meal and proceeds to eat.
---
It was an accident goddamit! You find an empty street, you count it as a blessing and you drive fast - that's the rule in a city. I swerved to not hit the dog and I ended up hitting a homeless. Least he could have done was to move away. He had no business standing still there!
---

Wednesday, June 27, 2012

Clearing

[Entry for this week's 3WW]


Such bright light,
clouding shut eyes, yet
darkness within hampers one's seeing.

---

What I seek are little windows,
Apertures I can slip through.
To sneak in and sneak out
Of past and future,
Pulverize reason,loop ahead
and behind,taunt nature, 
Tear and rewrite its 
Chronological nomenclature.

--- 

Friday, June 22, 2012

Climb

[Entry for this week's 3WW]

Wanderer's struggle,
over foggy, slippery slopes,
denied lenient trail.

Friday, June 15, 2012

Rain

[My entry for this week's 3WW]
 
Quite taken to monsoon,
murmurs rippling feet,
clung long to parched lands.

Monday, June 4, 2012

The rest is noise

Water drops over white lilies,
Shimmer of a mirage,
The rest is noise.

Saturday, February 11, 2012

Whence

[For 3WW]

At the edge of control, what taunts us is not whatever is on the other side, but how inevitable the crossing over and the looking back are.

---

What the sun had sought all year, mother nature chose to gift it today.

It was a sunny day. Bees hummed about the flowers, water caressed and fed gently the malnourished bed of the river. The sun ambled about between the clouds, enjoying the view, looking over all things earthen with a razor sharp vision.
  
Except that all things earthen did not contain any humans. Whatever wiped the humans out chose to spare the rest of living beings. So the lion whose roar rang around the world, the flora whose fragrance intoxicated the air, the trees whose branches seem to grip each other in a show of strength - the sun could hear, smell and see clearly all of these.

Mother nature had kept her promise. In one great swoop, she cleared earth of all the clutter, all those fleshed ones who could think but alas, chose to think only of themselves.

Wednesday, January 11, 2012

The Wrong End of the Truth Table

Come on!

Lets open these boxes one by one,

find the one that contain our names.

Check the one to the right,

Let me check the one to the left.

Our names are written in black inside,

Trust my guts and don't ask me why.

One of them will contains our names,

Yours and mine.

Don't ask me why.

---

Having met with failure,
be brutal here.

Bury alive a few dreams, see what the blinkers hide.


Revive the dreams worth dying for,

to shine like the sun across a sullen sky.

Wednesday, December 21, 2011

Sliver

[My 3WW Entry]

Festive
sparkle

amid rumpled belief -

lining under our clouds of winter.

Sunday, December 11, 2011

Flow

[Entry for 3WordWednesday]

The question I would like to ask Him is this: Will the good be hounded by the bad in heaven as badly as they are on the earth? Or will retribution see to it that the bad serve their dues somewhere else and do not end up in heaven?

---

An excerpt from the farewell speech

...after all these years of service here, I have learnt that sometimes, I tend to speak in a language that is simultaneously what I hear, and assume those around me will understand, and what others actually do not. This language might seem to push the contours of what is and should be comprehensible; that much I concede. But I will not cede ground to those who are prone to bellow with an almost dogmatic conviction that the words I mouth, its order, its topography is too far outside the realm of proper human speech and communication. I feel like the kid who writes on the shore and wishes that the waves would never wash away the words that he has painstakingly sketched. I agree that , on account of its proximity to the sea, the waves are never going to stop erasing the kid's crooked etchings. But it doesn't quite follow that what I write (or rather the kid does) is wrong or rather, incorrect, does it? It doesn't quite follow that what I write is correct either; however, being human and blessed with an ability to think and reason, I suspect I deserve the benefit of doubt, if not from the sea, at least from others like me. For now, all I can do now is to stand (having been rendered immobile by my inability to swim)and gaze at the horizon and wonder just who exactly it is pouring bucket after bucket of salty water from so far wide out?...

---

Once the claps had died down, it was time for me to move on. I observed that the busybees around me did not waste any time and promptly deserted the venue once the coffee had run out. I waited just outside the exit and made it a point to thank everyone who came in. A few were astonished that a sixty year old knew their name. One even confided that he hadn't heard of me till the day before. I smiled, shook his hand and wished him the very best. The walk outside did not take long. As I walked towards home, it didn't take huge effort to leave behind all the memories, miserable as well as joyous ones, one at a time. Maybe it will come back eventually with all the boredom that awaits me.

Sunday, October 9, 2011

Sky

Some days are like today, bookended by birth and death;

the year sheds a day, round goes the earth and sheds a dear's life.

What impact his life had, how blessed his soul was,

we will never know again - the blessed ones aren't allowed to come down,

once away from us, they go.

---

Silhouettes keep marching towards the purple sky,

their limpid vision mocks us, a bit harshly -

Any colour you like, will be rendered pale white,

We are all alike, in the end, subject to the same plight.

Once in your life, you will march here, with us or alone,

the light dimmed, the life saddened, death prone.

---

I have never seen snow, nor felt snow fall over me,

nor built a snow man, nor bruised my hand falling from a ski.

Nor have rolled around on a carpet,

shivering in the chill wind, the ice melting over my skin.

Our city is blessed (or cursed), winter having been ejected by the climate Goddess,

from the list of seasons it experiences.

To duck and run from one awning to the other that dot Mylai,

escaping snow flakes as it falls from the sky,

to watch the snow pile up and submerge the slush outside Anna Nagar,

to rub gloved hands and walk along the Marina,

to have heaters in the Volvos that run to Tambaram.

Ye Alchemists! You have your task cut out:

Let snow fall over Chennai and from not just the pages of a Pamuk's novel.

Saturday, October 1, 2011

Water

One fine morning,
a pair of hitchhiking clouds gave their sore limbs a well deserved rest,
heaving badly, nauseating, wanting to get something off their chest.
They stopped above where I stood, wondering loudly, to whom they could,
reveal where they have been, what they have seen.

To them, I said aloud:

Oh you irreverent ones! weightlessly drifting across the sky;
Your eyes ever roving over us,
this worthless world open to your pry.
Oh you freeloading hitchhikers! Reveal to us - the cause of your blues!

Note:

To an addled mind, acute replies won't make sense;
So make your answer brief and not very dense.

---

Long ago, thunder and lightning scarred the sky one night,
janky notes filled the air, like fingers scooting over keys black and white.
A boy's feet left its prints on parched lands -some linear, some circular;
whooping with joy, his tread light, what truth did the boy learn
that filled his heart with delight?

The boy was from a village,
far and beyond, from what constituted arable land.
A land misplaced by time, thatched roofs, nettled fences, sticky slime.
Its occupants busy with neem sticks early morning,
biting, chewing, and expecting,
the sun to shine and the moon to mime.

A cool wind blew the morning he walked out of his house,
his stiff gait losing its composure, with every feet forward his anger though undoused.
His head was freshly tonsured, paste of sandal applied over his mowed hair,
cooling his thoughts, lessening the glare.
His mind was full of anger,
at the pond outside his house, as dry as a masochist's eyes,
at the land that he walked on, cracking up like a skull struck by a steel rod;
at the perpetual drought, at the breeze that crept up his shirt,
at the bird's carcass that lay in the dirt.

At the centre of the village, he waited under the old banyan tree,
its lanky branches flung afar, swaying lightly in the breeze.
Sat at the centre, beside the old idol, humming to the toll of the bells,
was the sage, old enough to spin lengthy tales,
stroking his white beard, guaranteeing relief.
To him our boy walked up, his anger still uncontrolled, his gait broken.

Seated beside the old sage, our boy seethed -

Oh noble sage! tell me one thing -
the pond outside my house why is it dry?
This land, dry as a crone's wrinkle, so dry,
at nights, the stars here cringe to twinkle.

This land, unclothed by beauty, unloved by the skies,
uncared, uncherished, has mother nature severed her ties?

And look around us, beyond this land, there is only water;
waters of the ocean salty and blue,
but this water I speak of is so far,
start walking now and you reach there a corpse.
Tell me, oh great one! What is wrong,
when I say there is no water
and hence no truth?

The sage whispered a long reply in the boy's ear,
his eyes relaxed as the truth dawned clear.
With the wisdom easing his truculent visage,
before long, the boy's face was shorn of the mindless rage.

Whooping with joy, his tread light, what truth did the boy learn
that filled his heart with delight?

Friday, September 16, 2011

Sea

[Entry for this week's 3WW]

To the banker, the river was an untamed God,
the sea, a shifty trapper of time,
the sand, night like, a mistress,
kissed, sifted and to be deserted again.

The shore yonder is a notion,
the lands beyond, empty and to be claimed one's own,
reached after a trial and usually by error-
the west taken to be the east sometimes,
the east named west.

To the girl walking alone, the sea is the nature's outlaw,
voluminous brine shed once ago and ever since;
untameable, unmanageable and defiant;
crumpling the shore, a wave at a time.

To the kid busy with the sand turrets -
raised on weekly visits to the shore,
delighting in the chromatic aberrations -
the sea is a saviour, his hero,
soon to rescue the crashing sun
from the dark clouds unspooling across the sky.

To the sailor, the sea is as unpredictable as its blue,
a capricious turnstile, blissfully unaware of its own hue,
his ships handled with scorn, like a father cradling his newborn,
but with lot less love and hands unsure.

Time, the most benign of all Gods, propitiation with it arrived at,
once we abide by the only rule put in place:
to keep to its pace.
Devotion is to be by action,
the rhythm achieved carrying us forward,
wheres and whys not to be asked but duly shown.

To the sea, time is the entity
it twists around its skewed axis;
tides can knock minutes of an hour with ease,
travails can stretch them to infinity.

To those absorbed with the view in the rear mirror,
looking backwards, omitting the future near,
Look here-
at the waves the sea weaves over submarine lands,
at the unsheathed wings climbing over ridges and dunes;
at the life that is held in its womb,
at the living cradled in its deep plains,
and at the unsalvaged in its bottom lain-
Life awaits.

Saturday, July 9, 2011

Shimmer

You know all, don't you? Now, tell me why.

---

After a day spent at work, when I leave for home, as the lights from the streetlamps along the path coruscate dimly off the sand swept glass facade, I always notice a couple wait, outside the front gate, hand in hand, barely audible words said and replied, one pair of eyes holding the other, the world around as diffused as a white blur, as vague as the mirage rising off a heated tarmac . A strange couple is what I remark to myself as I wait ten feet away from them for our bus to arrive. Although her sunken eyes and pale complexion suggest a far eastern forefather, I feel she is from somewhere far closer home. I remember how she looked when she had just arrived in the city, when they were yet to meet: her face was as devoid of colour and life as the sideA of a rift riven band. Things have improved now, and a year of sprucing up and addition of right colour and cream have succeeded in suppressing whatever little beauty her face had to provide and stimulate a look that would help her gain greater acceptance among those she wishes to spend time with. He, meanwhile, is far taller than her, blacker eyes, sinews popping out of limbs, clothes that rarely crumple - a build and carry suggestive of far too much time spent in the gym and in front of the mirror. Neither are they the first couple to wait outside an office nor will they be the last. Despite their differing characteristics and nature, they seem comfortable in each other's presence. Sometimes I wonder if it is all a pretence they want to maintain until it gets to them and they admit to each other that it is all a pretence. I do not know why.

Beside us, cars and buses stream in and pause till the seats in them are occupied. Their drivers, with their tobacco spittle stained shirts, well oiled hair that turn rust coloured as they drive around the city with the window open, often get down from their vehicles and cluster together beside any of their rundown vehicles and speak in hushed tones amidst a lot of limb stretching, yawning and the occasional passing of a cigarette. Those whom their vehicles carry, their names are rarely known to them - conversations are rarely struck and at best avoided.

The couple usually board the same bus that I do. Although we wait alongside each other, it has never struck me nor them to speak a few words to each other. We recognize each other by sight alone. I wonder what their names are. Our ID tags are wound and dropped into our bags as soon as we exit our office and they are too caught up in themselves once they board the bus and contrive somehow to avoid venturing a word or two with those around them.

The bus drops us two streets away from my home. The driver always struggles to navigate his vehicle around our neighbourhood and has to move, nudge and literally curse it with an unceasing stream of nastiness, us lined up one behind the other on the footboard of the bus, fully cognizant of the fact that had we not been travelling in it, the driver would have been left to steer his vehicle in bus-friendly environs. We get down and walk away in directions opposite and ways unknown to the other.

Our names are not known to us. We live nearby yet neither our houses nor the way to reach them are known to the other. What do we opine of each other? Nothing? Does it matter?